GoodNight Interior began as a response to the children’s book Goodnight Moon, a quiet ritual of naming and bidding farewell to a familiar domestic world. The original text’s gentle order and reassurance become a point of contrast for this series, which turns its attention to what remains unsettled at the end of the day.

In these works, the home is disheveled—chairs tipped, objects displaced, curtains lifting as if a window has been left open to the night. The interiors feel recently inhabited and slightly uncontained, holding evidence of movement without clear resolution. A large cat drifts in and out of the rooms, its presence double-edged, suggesting both protection and danger.

The series reflects on the emotional residue of a chaotic household, where disorder becomes a quiet language of experience rather than a singular event. GoodNight Interiors reframes domestic space as something lived-in and unstable, offering a lullaby not of calm, but of concession.